Internet Archive - Collection: aliasfrequencies

Compop 14.6: Avant-Tarde: Tardcore

Fri, 18 Feb 2022 23:56:25 GMT

After touring extensively, including the National Gallery in Canberra, the University of Woollongong, and the Arthouse in Melbourne, Buttress took the new songs she’d been trying out on audiences (like ‘Dexodus’ and ‘I Like’) and placed them alongside live experiments with AudioMulch (with....

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…like horses

Mon, 14 Feb 2022 00:32:04 GMT

“Isn’t there something in your mind, that says, this is wrong, this is wrong on every level?” At the time, at the time, it was like… it was… …like horses, you know? Comprised of two parts,* …like horses is presented as the ultimate in dark corporate stoner reflective/receptive grinding....

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Scraping It Hard

Fri, 11 Feb 2022 06:12:26 GMT

So prolific was John Watermann, that in 1991 he began releasing cassettes of his music under a number of aliases, including Total Disease, Radio Mull, and Spinal Machine, on his label Nightshift Records....

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If the Answer Comes in Dreams, Then Who Asks the Question?

Fri, 11 Feb 2022 05:35:05 GMT

“To let understanding stop at what cannot be understood is a high attainment. Those who cannot do it will be destroyed on the lathe of heaven.” (an epigraph to chapter 3 of “The Lathe Of Heaven” by Ursula K....

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Radio Metamix

Fri, 11 Feb 2022 04:34:32 GMT

Five of Australia’s leading sound artists interpret the idea of remix for radio. Lloyd Barrett remixes dreams, nightmares and talkback radio Lucas Darklord remixes the culture of Black Metal Buttress O’Kneel remixes her favourite remixers, including Negativland, John Oswald and Coldcut Rik Rue r....

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BOK Darklord

Fri, 11 Feb 2022 03:02:38 GMT

Quite possibly one of the greatest albums ever made, this untitled release is the meeting of two of Australia’s most interesting, most underground, and most belligerently misanthropic sound-artists. Any collaboration between Buttress O’Kneel, with her sample-happy postpop cheeky-as-a-schoolgir....

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Compact Scipppp

Fri, 11 Feb 2022 02:08:20 GMT

In the year 2000, Buttress O’Kneel (with the help of her housemates at the time, fellow artists Mantis Sage, Aynat Sool, Panthera Leo, and A D MacHine) began documenting the artistic works of several robots that had achieved unprogrammed sentience. These robots were never designed to be creative....

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Compop 13.4: Theoretical Metapop

Wed, 09 Feb 2022 03:14:19 GMT

With her Snares-influences fading, Buttress returned to her unique musickal place, straddling pop, mashup, and breakcore, this time creating a musical flow that brings to mind her ground-breaking “MegaMegamix”, and the “meme-couplets” of “MemeCore”. With a blend of glitch-pop and mashc....

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Compop 12.4: NonCore

Thu, 20 Jan 2022 22:06:42 GMT

Buttress decided to follow her accessible, poppy, enjoyable album “Hard DadaPop” with one of the most difficult listens she’s ever created. Although she writes this album off as simply “what happens when I listen to too much Venetian Snares”, it still has the unmistakable “O’Kneel”....

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Compop 11.1: Hard DadaPop

Thu, 20 Jan 2022 05:44:01 GMT

With the tenth in the compop series “Classic Hits: Live 2007” being dedicated to live reinterpretations of many of her classic pieces (transformed through a CDJ and several guitar pedals), this return to the studio took Buttress to new realms entirely....

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Compop 9.2: PostCoreCore

Wed, 12 Jan 2022 03:48:38 GMT

After her triumphant âcoreâ series was wrapped up with the invention of âcorecoreâ, Buttress was determined to be the first to go beyond it.Â So, while others were still trying to come to terms with the concepts behind âcorecoreâ, she created the mind-bending new genre âpost-corecoreâ....

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Compop 8.1: CoreCore

Tue, 11 Jan 2022 01:34:43 GMT

The final in her “core” trilogy, “CoreCore” again revels in the grunting syncopation of breakcore, but mixes it with an altogether softer touch. As well as the classic Public-Enemy-meets-the-Seinfeld-theme opening track, O’Kneel incorporates several of her more psychedelic-drone live tra....

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Compop 7.2: MemeCore

Tue, 11 Jan 2022 00:58:30 GMT

Following on from the broken shitcore of Compop 6.66, Buttress gives us the second in her “core” trilogy; a meme-splicing dadaist culture-tweaking album that straddles both the worlds of breakcore and mashup, to create something truly unique. With several tracks blending together to create lon....

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Compop 6.66: ShitCore

Mon, 10 Jan 2022 22:22:19 GMT

O’Kneel’s first deliberate foray into the ubiquitous “distorted-and-cut-up-amen-break” genre known as “breakcore”, this album sees her applying it to as many unlikely and inappropriate sources as possible: Radiohead, the Beatles, even Peter Allen. As well as trying to reinvent breakcor....

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Compop 5.3: HyperPop

Sat, 08 Jan 2022 01:26:48 GMT

After her explorations into bastard pop (her previous two albums were “Bastard Pop” and “MegaBastard”), Buttress wanted to return to the minutely-sliced memetic Frankenstein-techniques she had honed so well on her second Compop release “MegaMegamix”, but with an ear more attuned to artis....

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Thoughts Flash

Sat, 08 Jan 2022 01:06:39 GMT

Thoughts Flash comprises two hallucinatory tracks from Wake Up and Listen’s unreleased debut album. Recorded in the late 1990s, the album featured a number of studio recordings, as well as edited excerpts from WUAL’s long-running radio show on 2MBS-FM....

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Handheld Apocalypse

Fri, 07 Jan 2022 23:56:34 GMT

These selections represent a sample of individual works, experiments and never-to-be finished pieces produced between 2005 and 2007. Some pieces mark the beginnings of failed projects or redundant tangents, whilst others came to be for unknown reasons....

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Humming through Schizophonic Air

Fri, 07 Jan 2022 23:22:50 GMT

The pieces on this album were created using a specially designed system code-named “Habitat”. Autonomous artificial agents feed on live and prepared sound and vision, excreting their own mutated variations which are then collected and presented for listener edification. The process is the cu....

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Dear Fellow Australians: An Independent Inquiry into Australian Values

Fri, 23 Nov 2007 08:22:10 GMT

Buttress O’Kneel initiates an “independent inquiry” into what it means to have “Australian values”, when the hystory of the country is based squarely on invasion, genocide, abusing the needy, institutionalised racism, and lies....

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Asmoir

Thu, 22 Nov 2007 08:02:37 GMT

These are the sounds received from our first interdimensional probe, Asmoir. This probe is exploring unknown and unheard somewheres, elsewheres. Whilst much of the data received from the probe is proving to be, for the time being, nonsensical, auditory recordings are proving to be of interest....

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Secret Killer of Names

Tue, 20 Nov 2007 15:55:06 GMT

Lloyd Barrett has spent the last 5 years trying to work out a suitable sound for this project - with the only official release being a "cover" of the Coil track "Spastiche" on the Balance tribute album "the loneliest link in a very strange chain"....

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Melds

Sun, 23 Sep 2007 04:08:23 GMT

Aquatic glitch-dub by Shannon O’Neill and Andie Reynolds. Made by Shannon O’Neill and Andie Reynolds , Melbourne , 2001 . Melds was exhibited at the San Francisco Museum of Modern Art in 2002 as part of Variable Resistance: Ten Hours of Sound from Australia ....

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Alien Communication

Sat, 22 Sep 2007 11:02:25 GMT

An introduction to humanity for alien listeners. Made by John Garland and Shannon O’Neill at Section 8 , Sydney , 1999-2002 . 2007 Alias Frequencies AF022.

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The Sexual Politics of Cheese

Sat, 22 Sep 2007 07:32:26 GMT

New technologies and techniques for excavating the unconscious. Made by Yannis Nikolakopoulos and Shannon O’Neill at Section 8, Sydney, 1999. GSD also appears on the Vibragun compilation ‘Communication Problems’....

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Every Moment Just Gets Worse

Thu, 20 Sep 2007 08:45:30 GMT

Liebeslieder is Ivan Lisyak. Made by Ivan Lisyak , Blue Mountains , 2007 . 2007 Alias Frequencies AF020.

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Petit Mal

Tue, 18 Sep 2007 17:53:48 GMT

The Splinter Orchestra’s first recording. Tracklist 01 Petit Mal 25:26 Total time: 25:26 Featuring: Chris Abrahams, DX7; Robbie Avenaim, battery operated percussion; Karen Booth, alto saxophone; Monica Brooks, laptop; Ben Byrne, laptop; Luke Callaghan, laptop; Clare Cooper, guzheng; Abel Cross....

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Traces

Tue, 18 Sep 2007 15:57:47 GMT

Ivan Lisyak’s ‘beats’ record. Made by Ivan Lisyak , Blue Mountains , 2007 . 2007 Alias Frequencies AF018.

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Dying Everyday

Mon, 17 Sep 2007 16:09:31 GMT

Ivan Lisyak’s first solo release, exploring the depths of digitalia. Made by Ivan Lisyak , Blue Mountains , 2007 . 2007 Alias Frequencies AF016.

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Dummyhead

Wed, 17 Jan 2007 06:51:20 GMT

All compositions written in 1989/90 . Produced and recorded by John Watermann . 1990 Nightshift Records NR011. Made in Australia . Cover design: John Watermann. 2007 Alias Frequencies AF014.

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Ambiguity

Wed, 17 Jan 2007 04:17:59 GMT

All compositions written in 1989/90 . Produced and recorded by John Watermann . 1990 Nightshift Records NR010. Made in Australia . Cover design: John Watermann. 2007 Alias Frequencies AF013.

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VIVA [section]

Tue, 16 Jan 2007 05:19:46 GMT

2003 compilation of Australian breakcore and experimental electronica. Compiled by Craig Parry a.k.a. Puzahki and featuring artists such as Toecutter, Maladroit and Lieutenant Colonel Spastic Howitzer....

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To Be Taken Seriously It Has To Be Long

Tue, 16 Jan 2007 01:37:29 GMT

Produced & recorded by John Watermann , 1988-89 . 1990 Nightshift Records NR007. Made in Australia . Remastered from cassette by Shannon O’Neill at Section 8 , 2000. 2007 Alias Frequencies AF011.

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The Denial of Cricket

Tue, 16 Jan 2007 00:54:06 GMT

Produced & recorded by John Watermann , 1988-1989 . 1990 Nightshift records NR006. Made in Australia . Thanks to David Corazza for dialogue box. Remastered from cassette by Shannon O’Neill at Section 8 , 2000....

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RAM Slot

Mon, 15 Jan 2007 14:29:59 GMT

In the late 80s scientists had modified and improved the circular RAM cartidge to such an extent that it could be slipped into neck slots of human guinea pigs (immobilized with the Cullen crane) simply snapped between the discs of the spine: for the first time ever it now was possible to record and ....

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These are Workers

Mon, 15 Jan 2007 13:02:43 GMT

Produced & recorded by John Watermann , 1971-1989 . 1989 Nightshift Records NR004. Made in Australia . Thanks to David Corazza for facial & genital blurring. Remastered from cassette by Shannon O’Neill at Section 8 , 2000....

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Ambitions of Empire

Mon, 15 Jan 2007 11:27:43 GMT

This was their finest hour. As mad king George continued in his unending search for invisible targets the War on Terror spanned the globe, drawing battle lines wherever and whenever possible. The League, amused by this vainglorious display, prepared once again for mobilisation....

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United We Fall

Mon, 15 Jan 2007 10:43:46 GMT

As the world chewed their fingernails over the possible existence of weapons of mass destruction the League continued to focus on the very real existence of weapons of media distortion. Landing in the weeks leading up to the Coalition of the Willing’s invasion of Iraq, United We Fall became an acc....

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Payback

Mon, 15 Jan 2007 10:07:51 GMT

No description available.

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Voice Capades

Mon, 15 Jan 2007 09:19:35 GMT

Vocal fragments in loops and rhythms. A study in wordless vocal dislocations. Composed/Constructed & Recorded by Rik Rue, 1993. Released on cassette by Pedestrian Tapes, 1993. Rereleased on CDR and MP3 by Alias Frequencies, 2004....

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New Belief System

Mon, 15 Jan 2007 07:33:46 GMT

Life is diverse and so is this record. The music on New Belief System does not stay in the same place for too long, it moves on. Like on a journey, the listener can witness a great number of different shapes and colours – strange things and familiar things, known sounds and unknown sounds, common ....

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Minimal/Liminal

Mon, 15 Jan 2007 04:32:47 GMT

Recordings from the mid to late 1990s, exploring ambient dub, proto-glitch and electroacoustic soundscapes. Made by Shannon O’Neill at Section 8, Sydney, 1996-99. 2000 Alias Frequencies AF000.

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Smoking When Pregnant

Wed, 28 Apr 2004 22:14:15 GMT

Video: Pc(Ar)- Kiss of Death 5:02 AVI Made by Craig Parry, Brisbane, 2003. Co-production, cuts & recording by Sir William Gull. Vocals on track 5 by S.W. Gull. Vocals on track 6 by S.W. Gull & Puzahki....

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Mustard Keanu

Wed, 28 Apr 2004 22:06:30 GMT

2001 Mini-album of skewed turntable improvisations. Four hands, one deck. Bargain bin records are mercilessly subjected to extended turntable techniques. Recorded in an afternoon at Section 8, Sydney..

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